This article explores social atomism in Teju Cole’s Open City through the lens of Georg Simmel’s urban sociology. Julius, the novel’s Nigerian-German narrator, emerges as a quintessential figure of emotional detachment shaped by the conditions of modern metropolitan life. The novel’s depiction of New York City—fractured by architectural disjointedness, socio-economic disparity, and pervasive anonymity—constructs a spatial environment that nurtures isolation and withdrawal. These urban conditions directly shape Julius’s psychological reserve and solitary disposition. Social atomism in Open City is reflected across three dimensions of Julius’s life: his inability to confront his past, seen most starkly in his emotional withdrawal from Moji’s accusation and his erasure of personal memory; his alienation in public spaces, expressed through his aimless urban wanderings and psychological detachment from the crowds around him; and his distant or failed interpersonal relationships, including his estrangement from family, his disconnection from his lover, university professor, neighbor, and his inability to sustain solidarity with members of his own ethnic community. Though he occasionally reaches toward connection through memory, conversation, or gestures of empathy, these attempts are consistently undermined by the blasé attitude and emotional reserve that Simmel identifies as core to urban modernity. Julius’s detachment ultimately underscores a broader vision of city life, where fleeting solidarities prove inadequate to counter the isolating pressures of the metropolis. Open City thus offers a portrait of urban existence defined by disconnection, where individuals, like Julius, drift alone among the social atoms of the city.
| Published in | International Journal of Literature and Arts (Volume 13, Issue 2) |
| DOI | 10.11648/j.ijla.20251302.15 |
| Page(s) | 49-55 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2025. Published by Science Publishing Group |
Teju Cole, Social Atomism, Blasé Attitude, Reserve, Isolation
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APA Style
Lyu, H. (2025). “If Anything, It Intensified Them”: Social Atomism in Open City. International Journal of Literature and Arts, 13(2), 49-55. https://doi.org/10.11648/j.ijla.20251302.15
ACS Style
Lyu, H. “If Anything, It Intensified Them”: Social Atomism in Open City. Int. J. Lit. Arts 2025, 13(2), 49-55. doi: 10.11648/j.ijla.20251302.15
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Download@article{10.11648/j.ijla.20251302.15,
author = {Hui Lyu},
title = {“If Anything, It Intensified Them”: Social Atomism in Open City
},
journal = {International Journal of Literature and Arts},
volume = {13},
number = {2},
pages = {49-55},
doi = {10.11648/j.ijla.20251302.15},
url = {https://doi.org/10.11648/j.ijla.20251302.15},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20251302.15},
abstract = {This article explores social atomism in Teju Cole’s Open City through the lens of Georg Simmel’s urban sociology. Julius, the novel’s Nigerian-German narrator, emerges as a quintessential figure of emotional detachment shaped by the conditions of modern metropolitan life. The novel’s depiction of New York City—fractured by architectural disjointedness, socio-economic disparity, and pervasive anonymity—constructs a spatial environment that nurtures isolation and withdrawal. These urban conditions directly shape Julius’s psychological reserve and solitary disposition. Social atomism in Open City is reflected across three dimensions of Julius’s life: his inability to confront his past, seen most starkly in his emotional withdrawal from Moji’s accusation and his erasure of personal memory; his alienation in public spaces, expressed through his aimless urban wanderings and psychological detachment from the crowds around him; and his distant or failed interpersonal relationships, including his estrangement from family, his disconnection from his lover, university professor, neighbor, and his inability to sustain solidarity with members of his own ethnic community. Though he occasionally reaches toward connection through memory, conversation, or gestures of empathy, these attempts are consistently undermined by the blasé attitude and emotional reserve that Simmel identifies as core to urban modernity. Julius’s detachment ultimately underscores a broader vision of city life, where fleeting solidarities prove inadequate to counter the isolating pressures of the metropolis. Open City thus offers a portrait of urban existence defined by disconnection, where individuals, like Julius, drift alone among the social atoms of the city.
},
year = {2025}
}
TY - JOUR T1 - “If Anything, It Intensified Them”: Social Atomism in Open City AU - Hui Lyu Y1 - 2025/04/29 PY - 2025 N1 - https://doi.org/10.11648/j.ijla.20251302.15 DO - 10.11648/j.ijla.20251302.15 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 49 EP - 55 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20251302.15 AB - This article explores social atomism in Teju Cole’s Open City through the lens of Georg Simmel’s urban sociology. Julius, the novel’s Nigerian-German narrator, emerges as a quintessential figure of emotional detachment shaped by the conditions of modern metropolitan life. The novel’s depiction of New York City—fractured by architectural disjointedness, socio-economic disparity, and pervasive anonymity—constructs a spatial environment that nurtures isolation and withdrawal. These urban conditions directly shape Julius’s psychological reserve and solitary disposition. Social atomism in Open City is reflected across three dimensions of Julius’s life: his inability to confront his past, seen most starkly in his emotional withdrawal from Moji’s accusation and his erasure of personal memory; his alienation in public spaces, expressed through his aimless urban wanderings and psychological detachment from the crowds around him; and his distant or failed interpersonal relationships, including his estrangement from family, his disconnection from his lover, university professor, neighbor, and his inability to sustain solidarity with members of his own ethnic community. Though he occasionally reaches toward connection through memory, conversation, or gestures of empathy, these attempts are consistently undermined by the blasé attitude and emotional reserve that Simmel identifies as core to urban modernity. Julius’s detachment ultimately underscores a broader vision of city life, where fleeting solidarities prove inadequate to counter the isolating pressures of the metropolis. Open City thus offers a portrait of urban existence defined by disconnection, where individuals, like Julius, drift alone among the social atoms of the city. VL - 13 IS - 2 ER -
Department of English and International Studies, China Foreign Affairs University, Beijing, China
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